¿Wikileaks revela escenas de alunizaje de Apolo 11 filmadas en el desierto de Nevada?

WikiLeaks WIKILEAKS RELEASES MOON LANDING CUT SCENES FILMED IN NEVADA DESERT has released more classified documents than the rest of the world's media combined. You ought to be in pictures. That's the best. I'll say it. I think that's awfully good. That one and the one before it were pretty good. We have about 15 seconds. Oh, yeah, you've got a lot of time. I claim this land in the name of... What do you got now? Now move. Cut it. Ready? And... Action. Cut it, Jim. Quit that. Here's four. He needs to go off this mark. One more, please. Otherwise, he's going to... Let me walk it. Here's what we really need is for him to go to his left and then kind of hear back. Is that right? No lights. No lights. No lights. Half-slide. Half-slide. Exactly right. And it has to be, we have to be high enough so that we've got you against blue sky and not against earth as you're coming in. You're coming in in a descending approach as you get in. Over. We can rehearse it. Go back and we'll rehearse it and see how it looks. Ready? And action. Excellent. A little deep now. Right. Let me tell you. Jim, that was better. Forget it. A third deep. Okay. I think that sounds good. Use clap sticks on this one. It might tap it. Time that we can live in peace and harmony in the future. I'd rather not even say anything about the, you know, about the, I like to keep this stuff to an absolute minimum. Hatch light. Okay, you can see the biplane coming overhead about 300 feet. The third, Pete. Okay. Tailside coming up right now. Right now. Jim, that is Dennis. Rehearsal, guys. Ready? I think it's been almost ten years since we've been trying to do this. Pitch forward got a really good view. You know, you're looking great. Coming up nine minutes. Peter has put a mark back there where he wants it to look. What's it look like? Five and a half pounds. It's a fire. Is this a good spot? Is this a good spot? Yeah. Is that it? That's right. You know, it's going to blow tonight. You've got an override off. And then I'm off. You're home. 413 is in. Man on the moon. Oh, it's not a good idea. What were you going to do? You know what I'm saying? Mm-hmm. This is this shot, right? Only then, what, are you going to move around another master before you get in closer? Oh, no. This is right here. I'm guessing a two-shot of you picks it up from there, and then we're going to go forward and it comes back from there. As the scene progresses, we're going around this thing. Really? Oh. Ah. Because I don't think you can divorce this conversation from that. I'll give it to this camera. I'm not going to tell a minute to this. We're going to be reacting the way we would react to seeing this.